"My work lives in the space between internal mental headspace and physical reality—a continuous translation of daydreams, quiet observations, and the raw vulnerability of dropping one's outer armor.

This collection represents a defining chapter of my creative exploration, created during my undergraduate studies in art and printmaking at the University of Alabama at Birmingham (UAB). During this period, my practice was deeply rooted in the physical chemistry, mechanical pressure, and traditional rigor of the print studio. Working across etching, lithography, monotype, screen printing, and multi-plate intaglio collagraphs, I was drawn to the delicate balance between control and spontaneity inherent in the printmaking matrix.

My visual language from this era was deeply informed by the fluid, decisive gestures of dance and body movement, alongside the crisp, permanent linework of tattoo design. Whether laying down liquid resists, manipulating light and shadow through additive and subtractive wiping on smooth monotype plates, or pulling multi-color serigraph passes, each piece captures a specific moment of contact, process, and trial.

As my artistic practice continues to evolve into new mediums and directions, this archive stands as a tactile record of my time at UAB—invitations and proofs of thought, feeling, and fluid energy offered up to be shared, felt, and carried into new homes."